| Front | Back | 
| 
								 
								"The objective of African music is to translate everyday experiences into musical sound"									 
								 | 
							
							
								 
								Frances Beby									 
								 | 
						
| 
								 
								Functional purposes of African-American music									 
								 | 
							
							
								 
								Rites of passage, worship, symbolic religious meanings, therapy, entertainment, homage, criticism, work song, social control, history, education, dance, drama									 
								 | 
						
| 
								 
								Syncretism									 
								 | 
							
							
								 
								Fusion of religions of different origins in order to create a new religion									 
								 | 
						
| 
								 
								Griot									 
								 | 
							
							
								 
								History singsrole passed from father to son									 
								 | 
						
| 
								 
								Membranophones									 
								 | 
							
							
								 
								Membrane, drums, friction drum									 
								 | 
						
| 
								 
								Aerophones									 
								 | 
							
							
								 
								Column of air: flute, trumpet, reed									 
								 | 
						
| 
								 
								Chordophones									 
								 | 
							
							
								 
								String. Lutes: neck, guitar. Lyres. Harps: arm. Zithers: full length									 
								 | 
						
| 
								 
								Idophones									 
								 | 
							
							
								 
								Self-sounding, entire body vibrates to produce sound, rattles, xylophone, hand piano									 
								 | 
						
| 
								 
								Types of ensembles									 
								 | 
							
							
								 
								Duo, trio, homogenous, heterogenous, played with or without voice (voice serves as an accompaniment to instruments) handclapping, stomping									 
								 | 
						
| 
								 
								Polyphony									 
								 | 
							
							
								 
								Two or more melodies played together									 
								 | 
						
| 
								 
								Polyrhythms									 
								 | 
							
							
								 
								Two or more rhythms played together									 
								 | 
						
| 
								 
								Hocket technique									 
								 | 
							
							
								 
								Since some trumpets can only play one or two notes, in order to create melody, the instrument only plays at the same time its note fits in the melody									 
								 | 
						
| 
								 
								"Talking" instruments									 
								 | 
							
							
								 
								Chordophone: musical bow. played with stick, gourd, or cavity of mouth as a resonator.  African languages are "tonal" meaning that inflections and pitch determine meaning									 
								 | 
						
| 
								 
								Call and response									 
								 | 
							
							
								 
								Performers and audience, two performers, instrument and voice, instrument and instrument									 
								 | 
						
| 
								 
								Candomble									 
								 | 
							
							
								 
								Afro-Brazilian religon resulted from religious practices Africans brought to brazil. Music and Dance. Get possessed by African deities. 									 
								 |