ART FINAL DEFINITIONS

A TYPE OF REPRESENTATIONAL ART IN WHICH THE ARTIST DEPICTS AS CLOSELY AS POSSIBLE WHAT THE EYES SEE.
THE MID 19TH CENTURY STYLE OF COURBET AND OTHERS, BASED ON THE IDEA THAT ORDINARY PEOPLE AND EVERYDAY ACTIVITIES ARE WORTHY OF SUBJECTS.

A STYLE OF EUROPEAN ARCHITECTURE PREVALENT FROM THE 9-12TH CENTURIES WITH ROUND ARCHES AND BARREL VAULTS INFLUENCED BY ROMAN ARCHITECTURE AND CHARACTERIZED BY HEAVY STONE CONSTRUCTION

A PERIOD OF ANCIENT ART AFTER THE INTRODUCTION OF AGRICULTURE BUT BEFORE THE INVENTION OF BRONZE. NEOLITHIC MEANS NEW STONE AGE TO DISTINGUISH IT FROM PALEOLITHIC OR OLD STONE AGE.

A STYLE OF PAINTING INTRODUCED IN PARIS IN THE EARLY 20TH CENTURY, CHARACTERIZED BY AREAS OF BRIGHT, CONTRASTING COLOR AND SIMPLIFIED SHAPES. THE NAME LES FAUVES IS FRENCH FOR THE WILD BEASTS

NEW CLASSICISM. A REVIVAL OF CLASSICAL GREEK AND ROMAN FORMS IN ART, MUSIC, AND LITERATURE, PARTICULARLY DURING THE LATE 18TH AND 19TH CENTURIES IN EUROPE AND AMERICA. IT WAS PART OF A REACTION AGAINST THE EXCESSES OF BAROQUE AND ROCOCO ART.

A STYLE DEVELOPED IN PARIS BY PICASSO AND BRAQUE BEGINNING IN 1907

A MOVEMENT IN LITERATURE ND VISUAL ARTS THE DEVELOPED IN THE MID 1920S AND REMAINED STRONG UNTIL THE MID 1940S GREW OUT OF DADA AND AUTOMATISM. BASED UPON REVEALING THE UNCONSCIOUS MIND IN DREAM IMAGES, THE IRRATIONAL, AND THE FANTASTIC, SURREALISM TOOK 2 DIRECTIONS: REPRESENTATIONAL AND ABSTRACT. DALIS AND MAGRITTES PAINTINGS, WITH THEIR USES OF IMPOSSIBLE COMBINATIONS OF OBJECTS DEPICTED IN REALISTIC DETAIL, TYPIFY REPRESENTATIONAL SURREALISM. MIRO'S PAINTINGS, WITH HIS USE OF ABSTRACT AND FANTASTIC SHAPES AND VAGUELY DEFINED CREATURES, ARE TYPICAL OF ABSTRACT SURREALISM.

A STYLE OF PAINTING THAT ORIGINATED IN FRANCE ABOUT 1870. THE 1ST IMPRESSIONIST EXIBIT WAS HELD IN 1874. PAINTINGS OF CASUAL CONTEMPORARY SUBJECTS WERE EXECUTED OUTDOORS USING DIVIDED BRUSHSTROKES TO CAPTURE THE LIGHT AND MOOD OF A PARTICULAR MOMENT AND THE TRANSITORY EFFECTS OF NATURAL LIGHT AND COLOR

STYLES OF PAINTING, DESIGN, AND ARCHITECTURE DEVELOPED FROM THE 5TH CENTURY C.E IN THE BYZANTINE EMPIRE OF ANCIENT EASTERN EUROPE. CHARACTERIZED IN ARCHITECTURE BY ROUND ARCHES, LARGE DOMES, AND EXTENSIVE USE OF MOSIAC, CHARACTERIZED IN PAINTING BY FORMAL DESIGN, FRONTAL AND STYLIZED FIGURES, AND RICH USE OF COLOR, ESPECIALLY GOLD, IN GENERALLY RELIGIOUS SUBJECT MATTER

THE 17TH CENTURY PERIOD IN EUROPE CHARACTERIZED IN THE VISUAL ARTS BY DRAMATIC LIGHT AND SHADE, TURBULENT COMPOSITION AND PRONOUNCED EMOTIONAL EXPRESSION

PERIOD IN EUROPE FROM THE LATE 14TH - 16TH CENTURIES, WHICH WAS CHARACTERIZED BY A RENEWAL INTEREST IN HUMAN CENTERED CLASSICAL ART, LITERATURE, AND LEARNING

1. A LITERALLY AND ARTISTIC MOVEMENT OF LATE 18TH AND 19TH CENTURY EUROPE, AIMED AT ASSERTING THE VALIDITY OF SUBJECTIVE EXPERIENCE AS A COUNTERMOVEMENT TO THE OFTEN COLD FORMULAS OF NEOCLASSICISM, CHARACTERIZED BY INTENSE EMOTIONAL EXCITEMENT AND DEPICTIONS OF POWERFUL FORCES IN NATURE, EXOTIC LIFESTYLES, DANGER, SUFFERING, AND NOSTALGIA. 2. ART OF ANY PERIOD BASED ON SPONTANEITY INTUITION, AND EMOTION RATHER THAN CAREFULLY ORGANIZED RATIONAL APPROACHES TO FAME

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